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| Sharon Duncan: The Dead Wives Society | |||
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An attractive, independent young-middle-aged female PI with something of a past? Sounds a bit like Sue Grafton's Kinsey Milhone, and the comparisons are sure to be made between Milhone and Sharon Duncan's Scotia MacKinnon, protagonist of The Dead Wives Society.
Ex-cop MacKinnon (three husbands down and a rich boyfriend on call) lives on a boat moored in the San Juan Islands, Washington State. Colorful characters surround her there: the guy on the next boat, Henry; ditzy Zelda, MacKinnon's part time assistant; Abbie, ever looking for a good cause to demonstrate about; and local newspaper editor Jared. Everyone experiences their interpersonal ups and downs, into which they sometimes drag MacKinnon. To add to the mix, MacKinnon's mother, elderly hippie Jewel Moon, arrives for a stay. She craves a heart-to-heart with MacKinnon about the way she abandoned MacKinnon in infancy. She obviously hopes MacKinnon will decide she's been maybe a bit tough on Mom all these years. MacKinnon takes on the case of sizzlingly glamorous French-Moroccan medic Chantal Rousseau, freshly arrived in town with her aged, full-Moroccan mother. Forbes Cameron, who briefly married Rousseau, swindled the doctor big time. Rousseau wants at least her mother's jewelry back. Placing Cameron's own family jewels in a blender qualifies as an eagerly sought optional bonus. As MacKinnon digs, she discovers Cameron, under various aliases, perpetrated similar swindles on a whole string of women, some of whom have been -- and are still being -- bumped off. But that's not all. Cameron turns out to be a rogue MI6 agent who a couple of years ago turned murderously traitorous. Now on the run, Cameron must contend with ex-colleague Michael Farraday, dispatched to terminate him. Even so, Cameron finds time to take aim on another rich female victim. But who? Implausibilities leap forth. Cameron knows his most recent ex remains in the neighborhood, but nonetheless he plans a high-profile celebrity marriage in the locality. All his aliases share the same initials, FWC, a habit an MI6 agent might perhaps have grown out of. As MacKinnon puzzles over a pair of cufflinks, monogrammed with those initials, that Cameron forgot when ditching Rousseau, she shows them to Zelda on impulse. Zelda just happens to recognize them instantly because she once shared a house with the jeweler who made them. And so on. Duncan tells an amiable enough tale, but you could hardly call it white-knuckle stuff. Further, the solution to the mystery element -- who's the next unlucky bride? -- proves glaringly obvious to the reader about hundred pages before MacKinnon catches on. In sum, this book seems to cherish no aspirations higher than passing time. One feels Duncan could try harder. John Grant John Grant/Paul Barnett is author of over 60 books, Consultant Editor to AAPPL and US Reviews Editor of Infinity Plus. His most recent novels are The Far-Enough Window, from BeWrite, and The Dragons of Manhattan, currently being serialized in Argosy. His collaboration with artist Bob Eggleton, Dragonhenge, nominated for a 2003 Hugo Award, was followed in 2005 by The Stardragons. His most recent major nonfiction is The Chesley Awards: A Retrospective, with Elizabeth Humphrey and Pamela D. Scoville. His story collection Take No Prisoners was released by Willowgate Press in August 2004. He has won the Hugo (twice), World Fantasy Award, Locus Award, Chesley Award, Mythopoeic Society Award, J. Lloyd Eaton Award, and a rare British Science Fiction Association Special Award. He is married to Pamela D. Scoville, Director of the Animation Art Guild; they live in New Jersey with four cats and not enough bookshelves. Click
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